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The Great Gatsby-Part 2

29 May

great_gatsby_ver7_xlg

Finally! I have seen the new, remade Gatsby.  I know it has been a while but it was worth the wait.  I really, really found this remake to be well done and I am a fan of Baz Luhrmann’s style.  I loved the raw, grittiness and the intensity his style brought to the film.  Luhrmann’s unique film style played really well in setting the scenes and portraying the dirty, and urban feel of the “Valley” of the city.

Another element that I loved was the soundtrack! It fit so well with the updated telling of the story and had the perfect mix of new contemporary music with the jazzy feel of the era.

Though most people who are fans of the original film will say that no one was a Greater Gatsby than Robert Redford, I found Leonardo DiCaprio was well suited to play Mr. Gatsby.  In fact I found the whole cast to be rather a perfect fit for their roles.

While I did not find the original unenjoyable, (I actually liked how it followed the book and was narrated by Sam Waterston) I preferred this Gatsby much more than the original for the pacing of the story.  The remake was much better paced as the quickness of the film mimicked the moving and changing the beat of the city and also mimicked the story itself, spiraling out of control.

I also enjoyed how in this Gatsby film the viewer was able to see more into Jay Gatsby’s past, as well as in to Nick Carraway’s memories,  and really see character backgrounds and character development, creating a stronger bond between the audience and the characters unlike the original where I just felt like someone viewing a movie.

The only real negative that I had with this remake was the overuse of the phrase “Old Sport.”  I definitely do not remember Robert Redford saying “Old Sport” so many times.

Overall I think that this Gatsby film was successful and was able to modernize Fitzgerald’s story in a way that did not lose the identity of the original story.

The Great Gatsby

17 Apr

As a follow up post to upcoming films I want to see, I forgot to include The Great Gatsby.  This adaptation from F. Scott Fitzgerald’s novel, this is actually a remake of the film “The Great Gatsby” which starred Robert Redford as Jay Gatsby and Mia Farrow as Daisy Buchanan.

Directed by Baz Luhrmann, the same director of Moulin Rouge and Romeo+Juliet, I now see the similarities of cinematographic style between the three films.  As a big fan of his adaptation of Romeo+Juliet, I am very excited to see how he takes on the Gatsby film.

Though it has been a while since I have seen the first Gatsby moive, I remember the pacing of it being rather slow and dragging along.  Just from the preview of this movie, it seems like pacing has picked up and the drama, sex, love, violence, and scandal have been amped up as well.

Starring Leonardo DiCaprio as Jay Gatsby, Carey Mulligan as Daisy Buchanan, Toby McGuire as Nick Carraway, and Joel Edgerton as Tom Buchanan.  I think that DiCaprio and Mulligan are excellent choices to take on these roles.

Also the sound track to this film seems great, very modern but fitting to the time/setting of the movie.

I cannot wait to see this in theaters May 10, 2013!

Les Miserables

7 Apr

les miserables

Les Miserables
by Tom Hooper

After all of the hype surrounding this film I finally sat downto watch to see what all the commotion was about.  I was weary at first with watching a film called “The Miserable” knowing it would defiantly be depressing.

From Guys and Dolls to Footloose, Billy Elliot, and more recently Hairspray and Mama Mia, it is always interesting to see crossover from books to film and sometimes even more so from theatre to film (and the other way around with theater and film).  The story mainly follows the life of Jean Valjean (Hugh Jackman) and through his interactions with the other characters we learn more about his life, the lives of the other characters and the hard times in 19c France.  I did enjoy how each of the different stories intertwined and all the characters were connected; a six-degrees of separation kind of story if you will.

Though I have never seen this as a play before (but I have seen plays), I think that the way this was filmed added a new element of viewer engagement that a play could not have done.  For me, what worked well about this, as a film was the use of camera angles and how the viewer could better see symbolisms.

For instance, when the camera follows Valjean’s torn up parole paper in the wind we get a birds eye view of France, setting the overall stage—the master shot.  Though it seemed that some people did not enjoy the singing-en-scene, to the camera, I thought that made it more organic and felt more like a play.  Also I liked that it added the element of making the viewer feel like a character in the film, thus engaging them more in the story.

Similarly, by having the camera move around and act like it is hiding in the bushes or moving about the house (when Carter and Cohen are singing “Master of the House”) we feel like we are there in the scene following the action as it unfolds and not just watching it in the audience.

Also, by bringing this story to film we are better able to see symbolic elements that perhaps we could not get from a play.  Many times we see Javert walking on the edge of buildings, and it may seem strange at first glance, but the film allows us to see his struggle, he is constantly walking a thin line.  Likewise, the use of the pan-up shot shows his power and authority, while the pan-down shows is insignificance in the grand scheme of things.

I really enjoyed the cast, and thought that all of the actors were well fitting, even Mr. Russell Crowe—I found him to be better than the suggested negative reviews out there.  I was also impressed at the emotion that came through while singing; I really felt the sorrow of Anne Hathaway as she sang “I Dreamed a Dream,” and when Hugh Jackman sang as he faced multiple hard decisions, and when Eddie Redmayne was singing after the barricade fight scene and when Samantha Barks (Éponine) sang about her unrequited love.  However, after all of the buzz around Hathaway, I was a little bummed at how little we see of her in this film.

Also, I really enjoyed the comic relief of Helena Bonham Carter (Madame Thénardier) and even Sacha Baron Cohen (Thénardier).  Though I am not one for Cohen’s comedic style I found him to be the perfect fit for the role.

The only thing that I found to be un-enjoyable (other than the depressing tone) was the pacing; it was rather strange.  It was like the story itself moved fast and slow simultaneously.  Sometimes the scene would change rather quickly and it was like “wait a sec, what just happened how did we jump to this point in time” but other times it was like “ok move on, what is next?”

Though seeing this film once was probably enough for me, I did appreciate the uniqueness that Tom Hooper brought to the telling of this story.

 

http://screenrant.com/les-miserables-reviews-2012/